Tuesday, November 07, 2006

Pointless Nostalgia - Part Three


The 80's Movie Montage: Lost art, or relic of the neon age?

There are some things that just aren't done anymore. Throwing away Styrofoam containers. Having anything in Styrofoam at all. Giving away regular-sized candy at Halloween. Making an awesome movie montage, complete with kick-ass synth-pop music with smokin' hot lyrics. I certainly miss all of these, but the one that I yearn for the most, the one that I dream about, and secretly ask for when I get the big piece of the wishbone, is the return of the movie montage. Specifically, the 80's movie montage. The 80's montage is a glorious use of celluloid, pure magical genius of light, sound and spandex. In short, it's an infinite amount of brilliance thrown into a awesome-making machine and set on "ice crush". Forever!

For those of you not hip to what a montage is, a montage sequence is a film technique wherein the film needs to show a large-scale process or a lengthy period. Instead of showing this process in it's entirety, brief portions, along with titles and images, can be joined by dissolves (transitions between two shots) and music to compress the lengthy series of actions into a few moments.

The key to the 80's montage is the music. Filmmakers of today are extremely lazy. An editor today will simply find some crap-tacular song in their iPOD that's completely ignorable, or they will attack the Top-40 list of the moment, and hijack whatever's "hot" that very second. The result? An unmemorable sequence in the film that nobody cares about, unless it involves nudity. Now, the 80's montage, it had fucking creativity. Editors and directors of that era would actually find a song that coincided with the actions/themes/characters of the movie. If they couldn't find one, they would commission songwriters and shitty artists to record one. That's dedication to the genre.

Here's some awesome examples of the 80's montage, all of which are pure cinematic gold. Treasure them with all your heart!


Monster Squad - 1987 (Editor: James Mitchell)

Just killer! Listen carefully to the lyrics. "Rock until you drop. Dance until your heart stops". That really hits the nail on the head, doesn't it? Disregard that the song is about clubbing, and these kids are 6-13 years old. It's irrelevant. In this sequence, these kids must equip their stalwart group with everything they need to defeat the monsters. And monsters don't like business cards. Seriously, I read that.

Here's another, more subtle montage:



The Wizard - 1989 (Editor: Tom Finan)

"I live by the groove. If I can't hear it baby, how can I move?". Wow. Those lyrics speak right to the urgency of the situation. Jimmy Woods has to get ready for the Nintendo Championships, so naturally the song reflects his need to "get in the groove". I'm still in awe of this song, and of the killer game action!

Now the montage doesn't have to be well into the film, or inserted only as an easy way to complete some tasks for the main characters. Sometimes it can be at the very beginning! Peep this:


Rad - 1986 (Editor: Carl Kress)

"Getting ready to break the ice! Feels like time is standing still". I love it! BMX racing and stunts are all about breaking the ice, and I can honestly say that only you can break the ice inside of me. That's right, only you. The quick stunts are just the thing to get the audience in a tizzy, and the Cochrane/Calgary backdrops really strike a chord.

Lastly, the mother of all 80's montages. This montage is everything. It's a saint. It's Mother Teresa. It's Elvis. It's God.


Rocky IV - 1985 (Editor - James R. Symons)

"Hearts on fire, strong desire, raises deep within". This is the greatest film moment in the history of film. Stallone. Lundgren. Training. Talia Shire nodding her approval. Synth power. Hearts on fire everywhere. This sequence leaves me breathles and wanting more wood chopping. Simply perfection.

Keep an eye out for movie montages! Create a drinking game around them! It's fun, even alone!

1 comment:

TylerD said...

No chance. Most of these songs are by "artists" that specifically created songs for films. Example: John Cafferty, peformer of "Hearts On Fire" from Rocky, created songs solely for "Eddie & The Cruisers" (1983) and Cobra (1986), and then promptly disappeared until "There's Something About Mary" in 1998. He's never seen the Top 40 list outside of a shopping mall magazine rack.